Tuesday, May 18, 2010

Miscellaneous Notes

It's been so long since I updated this blog, I almost forgot how to log in. But now that I've remembered, I'll try to be better about posting notes here.

It's been busy here at Reader Ready, thanks to all of the competition deadlines. I even managed to finish my own script and enter it into a few of the contests. Good luck to everyone who is now sitting on pins and needles waiting for the announcements!

While I was proofreading/editing all of those scripts, I tried to jot down some common issues I saw. Here are the top three issues I commented on in scripts during the months of April and May.

1. Use of O.S. A lot of clients "direct" their scenes by telling the reader when they are picturing a close up shot. For example, I saw this set up in a lot of scripts:

INT. DINING ROOM - NIGHT

Marge, Scott and Ted attack a lasagna.

Ted crams an entire piece into his mouth.

SCOTT (O.S.)
Ted, you're gonna choke.

I understand why someone might try to say that Scott is O.S. The image of Ted cramming a piece of lasagna into his mouth seems to imply a close up. However, our header is INT. DINING ROOM, and Scott is still in the dining room. He hasn't physically left the scene, so under a wide shot, he would be speaking on camera. And the director might choose to use the wide shot of this scene so that the audience can see the other characters' disgust. So there's no need for O.S. in this type of scenario - it's the writer editing the film rather than advancing the story.

2. Sentence structure. A very common sentence structure I've run across is:

Marge looks at Ted, smiling.

This sentence could be misconstrued. The writer means to imply that Marge is smiling, but it could just as easily be Ted who's sporting the grin. Why not write:

Marge, smiling, looks at Ted.

3. Use of CONTINUEDS. This is a setting in many software programs. Some writers have turned it off completely, which makes it hard to follow dialogue that jumps from the bottom of one page to the top of the next, particularly if the character name setting is also turned off. On the other hand, there's no reason to use the CONT'D function anymore when a character speaks, performs an action and then speaks again, such as in:

MIKE
I wanted to tell you earlier.

Mike grabs Patty's hands in his.

MIKE
But I was afraid.

Many software programs have a default setting where Mike's second line would say CONT'D. However, that usage isn't necessary.

One last note before I end this blog: I've added/changed some pricing options, so please visit www.readerready.com for the new choices when you're ready to book your next slot. And if you don't see a price listed, please contact me at elisa@readerready.com.

31 comments:

  1. 婚姻對男人來說是賭他的自由,對女人而言卻是賭她的幸福。..................................................................

    ReplyDelete
  2. 光這幾句話就價值連城了,讀著讀著小弟的眼眶就濕了.....................................................................

    ReplyDelete
  3. 當你真心渴望某一樣東西,整個宇宙都會聯合起來幫助你。..................................................

    ReplyDelete
  4. 成功多屬於那些很快做出決定,卻又不輕易變更的人。而失敗也經常屬於那些很難做出決定,卻又經常變更的人.................................................... ............

    ReplyDelete